READING

Ambergris was used to perfume cosmetics in the days of ancient Mesopotamia and almost every civilization on the earth has a brush with Ambergris. Before 1,000 AD, the Chinese names ambergris as lung sien hiang , "dragon's spittle perfume," as they think that  it was produced from the drooling of dragons sleeping on rocks at the edge of a sea. The Arabs knew ambergris as anbar who believed that it is produced from springs near seas. It also gets its name from here. For centuries, this substance has also been used as a flavouring for food. During the Middle Ages, Europeans used ambergris as a remedy for headaches, colds, epilepsy, and other ailments. In the 1851 whaling novel Moby-Dick, Herman Melville claimed that ambergris was " largely used in perfumery." But nobody ever knew where it really came from. Experts were still guessing its origin thousands of years later, until the long ages of guesswork ended in the 1720's , when Nantucket whalers fou

Zoo  conservation  programmes One of London Zoo’s recent advertisements caused me some irritation, so patently did it distort reality. Headlined “Without zoos you might as well tell these animals to get stuffed”, it was bordered with illustrations of several endangered species and went on to extol the myth that without zoos like London Zoo these animals “will almost certainly  disappear forever”. With the zoo world’s rather mediocre record on conservation, one might be forgiven for being slightly sceptical about such an advertisement . Zoos were originally created as places of entertainment, and their suggested involvement with conservation didn’t seriously arise until about 30 years ago, when the Zoological Society of London held the first formal international meeting on the subject. Eight years later, a series of world conferences took place, entitled “The Breeding of Endangered Species”, and from this point onwards conservation became the zoo community’s buzzword. This

Sometimes ideas just pop up out of the blue. Or in Charlie Paton’s case out of the rain. “I was in a bus in Morocco travelling through the desert, “  he remembers. “It had been raining  and the bus was full of hot, wet  people. The windows steamed up  and I went to sleep with a towel against the glass. When I woke, the thing was soaking wet. I had to wring it out. And it set me thinking. Why was it so wet?” The answer , of course, was condensation. Back home in London, a physicist friend, Philip Davies, explained that the glass, chilled by the rain outside, had cooled the hot humid air inside the bus below its dew point, causing droplets of water to form on the inside of the window. Intrigued, Paton  – a lighting engineer by profession  –  started rigging up his own equipment. “I made my own solar stills. It occurred to me that you might be able to  produce water i this way in the desert , simply by cooling the air. I wondered whether you could make enough to irrigate fields

Man or Machine MTT’s humanoid robots showcase both human creativity and contemporary pessimism. Humanoid robots were once the stuff of the political and science fiction. Today, scientists working in Japan and the USA have been turning fiction into a physical reality.      A.      During July 2003, the museum of science in Cambridge, Massachusetts exhibited what Honda calls ‘the world’s most advanced humanoid robot’, ASIMO (the Advanced Step in Innovative Mobility). Honda’s brainchild is in on tour in North America and delighting audiences whenever it goes. After 17 years in the making, ASIMO stands at four feet tall, weighs around 115 pounds and bob like a child in an astronaut’s suit. Though it is difficult to see ASIMO’s face at a distance, on closer inspection it has a smile and two large ‘eyes’ that conceal cameras. The robot cannot work autonomously  –  its actions are ‘ remote controlled’ by scientists through the computer in its backpack. Yet watching ASIMO perform at a s